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Notes on video lecture:
The Uniqueness of James Brown
Notes taken by Edward Tanguay on June 5, 2015 (go to class or lectures)
Choose from these words to fill the blanks below:
fun, Blaxploitation, mathematical, funk, groove, edified, Scotland, Clinton, impresario, model, influence, White, FM, Cake, KISS, stylistic, experimental, Motown, Brown, Stone, Funkadelic, horns, Bag, seventies, threatening, black
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the two founding fathers of and black pop in the 1970s
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1. Sly
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2. James
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came out of 1950s into 1960s
•
-based approach
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interesting kind of aggressive yet absolutely non- vocal approach with outrageous phrases as the key lyric
•
you wouldn't listen to these songs to be by the lyrics
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these are not singer-songwriter lyrics, where the instruments line up in a way but that makes it sound like it is heartless and cold but that's far from what it is
•
everything sort of locks together in an intricate arrangement just filled with feel and James Brown and his band is certainly the ones for establishing the for this where Sly Stone was coming from when he was putting his group together
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1965: Papa's Got a Brand New
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1965: I Feel Good
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extended and increased his interest in Funk during the 1970s, plenty of , focus on the groove
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1970 Super Bad
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1974 The Payback
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#1 R&B hit
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written for a file for "Hell Up in Harlem"
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rejected for being the same ol' James Brown song
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George
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the most obvious of James Brown in the 1970s
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his groups:
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Parliament
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Funkadelic
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blends the elements of James Brown
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and the business approach of Berry Gordy
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became a kind of , assigning his groups to different labels
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born in New Jersey, moved to Detroit in 1960s
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did some work for
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Parliaments
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due to dispute about "Parliaments", he called them
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after court case was resolved, he had two groups
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Parliaments: more commercial
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Funkadelic: more group to try out new, crazy ideas
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1970 Osmium album
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1974 Up for the Down Stroke
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Casablanca label
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also managed
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Funkadelics
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1974 Mothership Connection
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Tear the Roof Off the Sucker
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celebrates the roof
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stage show
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space ship that came down
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costumes
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sophisticated theatrics for the early
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there was always a sense that they were just having with these ideas
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Average Band
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a group that played in the same genre as Sly Stone, James Brown, and George Clinton, but a group you would hear on radio
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formed in in 1972
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1974 album AWB was a number one album in the United States
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Pick up the Pieces, a #1 hit single
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1975 Cut the
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stood for what white listeners though must be going on in pop
Ideas and Concepts:
Early James Brown (1966) via tonight's History of Rock and Roll class: "What staging, what hair, what a drop to the knees, what a primal scream!"
Pure originality via tonight's History of Rock and Roll class: "James Brown, who came out of 1950s into 1960s with his groove-based approach, had an aggressive yet absolutely non-threatening vocal approach with outrageous phrases as the key lyric, you wouldn't listen to these songs to be edified by the lyrics, these are not singer-songwriter lyrics, but what you get are gyrating performances where the instruments line up in a almost a mathematical way, but that makes it sound like it is heartless and cold, but that's far from what it is, everything sort of locks together in and intricate arrangement just filled with feel and James Brown and his band are certainly the ones for establishing the model for this, somewhere that Sly Stone was coming from when he was putting his group together."
From the 1970s cultural-boundary-crossing band department via tonight's History of Rock and Roll class: "Next up we have some super talented young men from Scotland and one from England who all play and sing like they were raised on corn bread an black-eyed peas, it's something that has to be seen to be believed, let's get some hands together, gang, for The Average White Band."
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