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Notes on video lecture:
Sly Stone and His Influence on Black Pop, Funk, and Psychedelic Soul
Notes taken by Edward Tanguay on April 16, 2015 (go to class or lectures)
Choose from these words to fill the blanks below:
Latino, Airplane, Funk, Burdon, Jazz, extension, catchy, drums, white, Beatles, Pepper, percussion, gender, Chess, two, Psychedelic, ethnic, Brown, Rider, horn, Night, Ohio, Life, groove
names that helped shape black pop throughout the 1970s
1. James
2. Sly Stone
Sly and the Family Stone
led to a rise of
comes out of the primarily white rock scene in San Francisco at the end of the 1960s, with:
Grateful Dead
Jefferson
Janice Joplin
not really thought of as a San Francisco band
responsible for a genre one can call Soul
emphasis on , setting up a kind of repeated, rhythmic kind of feel that is laid down between the base and the
not so much like melodic instruments but more like every instrument in the band is a instrument
an interlocking of different parts which creates a groove, and all the music sort of rides on top of that
there are lyrics that are hooks that catch the listener's ear
that sound is developed by Sly Stone
1968: Dance to the Music
1969: Stand
1969: I Want to Take You Higher
was marketed across lines
was an exception
did a lot to form the opinion of audiences of what black music sounded like even though they may not have been hearing a whole lot of it
group was integrated in term of race and
a whole series of groups which took up the format that Sly Stone had started
Players
started in 1959
1973: Funky Worm
a funny lyric and vocal and a synthesizer sound that was supposed to be the sound of the worm grooving
a catchy AM novelty record
1974: Fire
1975: Love Roller coaster
Kool and the Gang
an important of the Sly Stone style
1964 formed as the Jazziacs
1973 ALBUM: Wild and Peaceful
Jungle Boogie
Hollywood Swinging
later had big hits in disco later in the 1970s
1979 Ladies
1980 Celebration
Earth, Wind, and Fire
an extension of what Sly Stone got going
Maurice White
1960s Records
1969 moved to L.A.
sophisticated and intricate arrangements in addition to catchy melodies that rode on top of these grooves
1975: ALBUM: That's the Way of the World
written for the movie of the same name
Shining Star
1978 Got to Get You Into My
their version of the song
highlights all the things that are hippest
recorded for Sgt. Movie
Bee Gees
Peter Frampton
Steve Martin also in movie
Tower of Power
had fantastic horn section
Oakland, California
Black, White, and members
1973 ALBUM: Tower of Power
What is Hip?
had a flavor
War
Los Angeles
originally "The Nightriders"
had a gig to back Deacon Jones
Eric Burdon
asked War to back him
1970 Spill the Wine
group continued on without Eric
had Latin feels with R&B and funk
1972 Cisco Kid
1975 Low
Ideas and Concepts:
From the Psychedelic Soul department via tonight's History of Rock and Roll class: "Sly Stone comes out of the primarily white rock scene in San Francisco at the end of the 1960s which produced bands such as The Grateful Dead, Jefferson Airplane, and Janis Joplin, but he was never really thought of as a San Francisco band. Sly Stone was responsible for a genre one can call Psychedelic Soul which had an emphasis on groove, setting up a kind of repeated, rhythmic kind of feel that is laid down between the base and the drums, not so much using melodic instruments but more like using every instrument in the band is a percussion instrument, an interlocking of different parts which creates a groove, and all the music sort of rides on top of that, with catchy lyrics that are hooks that catch the listener's ear, this was the sound that was developed by Sly Stone."