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Notes on video lecture:
Myth and Sexuality: Glyn Philpot's Oedipus
Notes taken by Edward Tanguay on November 16, 2019 (go to class or lectures)


Choose from these words to fill the blanks below:
Ricketts, Veronese, masterish, politesse, Oedipus, Victoria, masculinity, fluidity, callow, tomb, Berlin, palette, gay, indiscreet, portrait, Craven, royalty, struggle, Holbein, Fascists, Andrea, emasculated, Grosz, homosexual, Picasso, nubile, Brummell, fashion, Dix, Manuelito, Ross, sexually, Italian, 1910s
Glyn Philpot (1884-1937)
made a name for himself in Great Britain in and 1920s
fasionable society painter
as art student became fascinated with painting by Renaissance painters
Titian (1488-1576)
Paolo (1538-1588)
Mantegna (1431-1506)
Hans the Younger (1497-1543)
depth of contstruction and subtle
somber authority
subtleties of applying glazes over underpainting to build up richness and texture
1906, "we shouldn't strike out methods of our own"
1909, public reputation cemented with The
1910 exhibition of the Modern Society of Portrait Painters
entered the world of London society
1920s
a dozen major portrait commissions per year
leading figures within British and society
Sir Banister Flight Fletcher, architect
Sir Oswald Mosley, found of British Union of
John Henry Whitley, Speaker of the House of Commons
dubbed the Beau of painting
1778-1840, iconic figure in Regency England and for many years the arbiter of men's
personal category of portraiture
found constant relaxation from the rigueur and forced of portrait painting
devoted almost exclusively to male subjects
youthful optimism of young men
callow, adj. inexperienced and immature
jaded charm of broken-nose boxers
male African and African American sitters
only his sister Daisy were privy to his private artworks
homosexuality
maintained an extensive network of friends and acquaintances
Robert (1869-1918) Canadian journalist, art critic and art dealer
early lover of Oscar Wilde (1854-1900)
open homosexuality
Charles (1866-1931) and Charles Shannon (1863-1937)
one of the great couples of British art
Sir Philip Sassoon (1888-1939)
homosexual art collector
late 1920s
friends were worried that Philpot's art was becoming too for comfort
1931
forced to confront many contradictions his art presents
politically dangerous and charged world
traveling to affected him profoundly
decadent nightlife
grimly satiric art
George (1893-1959)
Otto (1891-1969)
Paris
glass studio apartment
reinvent himself
engaged with , surrealism
explored the erotically heightened milieus of the modern metropolis
his art was changing as much as his personal life
lilacs and blues
1932
Leicester Galleries in London
decadent Berlin night life
intimations of a sexual
flaunted his hitherto unspoken homosexuality
new modes of expression are continually necessary
Scotsman Newspaper: "Glyn Philpot Goes Picasso"
portrait commissions dried up
increasingly beset financial problems
Thomas (1888-1969)
American art critic from Kansas
anti-modernist and homophobe
1934 Modern Art, railed against the perceived decorative nature of modern art
the artist is losing his
two sexes are being merged into an androgynous third
Picasso is the most offensive element in modern art
Oedipus, 1932
today: National Gallery of , Melbourne
strangely and scantily clad Oedipus figure
nubile, adj. (of a girl or woman) sexually attractive
primative looking features
strong echoes of Oscar Wilde's in the Père Lachaise Cemetery in Paris, 20th arrondissement
powerful grip on the painting's figure
encapsulates the artist's at this time with his sexuality
this was the artistic equivalent of coming out
suddenly Philpott's art no longer looked masculine or reassuringly old-
it seemed feminized, or , to use Craven's term