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Notes on video lecture:
1950s Crossovers and Cover Versions
Notes taken by Edward Tanguay on August 2, 2013 (go to class or lectures)
Choose from these words to fill the blanks below:
same, showmanship, alcoholic, Boone, regular, different, consumerism, farming, Maybelline, course, online, fan, 25, oldest, white
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Cashbox and Billboard
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record industry charts
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Cashbox
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from 1942 to 1996
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now revived             
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unlike Billboard, Cashbox initially combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label
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Billboard (1894-today)
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international news magazine devoted to music and the music industry, and is one of the              trade magazines in the world
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not        magazines but to help advise people who are in the business of providing music services, e.g. a Jukebox, radio or retail business, to know which music is currently popular
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markets
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mainstream pop
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middle-class            audience
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rhythm & blues
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urban black audience
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country & western
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rural white audience mostly in                communities or those who were displaced into urban communities
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use
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radio
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retail
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jukebox
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chart numbers
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chart numbers are a fairly              instrument to find out the popularity of a record
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there is not much difference between a number 1,2,3, or 4 record
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however, a number 20 record is a different kind of phenomenon than a number 1 record
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help us from getting in the fan mentality
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when you look at the chart data, you see that many of the records of famous singers were not that popular at all and there are many artists who have number 1 and 2 records who you have probably never heard of
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crossover songs
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mainly this means a song going from the Country & Western or Rhythm & Blues chart to the Mainstream Pop chart
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e.g.          song and artist: Little Richard's Tutti Frutti plays on the Rhythm & Blues charts for awhile, then gets popular on the Mainstream Pop charts
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e.g. same song,                    artist: Little Richard's Tutti Fruiti plays on the Rhythm & Blues charts, then is covered by Pat Boone on the Pop Charts
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the song by Pat            goes up on the pop charts but not the R&B charts
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in the case of Tutti Frutti, both the record and the song crossed over
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cover versions
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people were already doing many different versions of songs within each chart market
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white people such as Pat Boone were remaking R&B hits and making money off of this on the pop charts played by radio stations which would not allow black musicians to play on, this was increasingly a controversial issue as by 1958, 84% of R&B hits were crossing over to the pop charts
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other ways musicians were taken advantage of
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many times musicians did not even own the rights to the songs they were performing, they signed that away when they recorded
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"what would you rather have, I'll pay you 50 bucks for the session or I'll give you a certain percentage of the earning over time" and many of the musicians took the money since they didn't know how good their songs would do or if they would ever see that person again.
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controversy: is this unfair or not?
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white artists argued that these songs would not have been allowed to be played on the radio as they were because the lyrics would have been too adult-themed
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Bill Haley (1925-1981)
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one of the first rock and roll musicians
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Bill Haley & His Comets
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Rock Around the Clock
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sold over      million records worldwide
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self-admitted                   , fought battle with alcohol into the 70s
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1980 brain tumor
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Chuck Berry (1926-)
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1955                     
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"Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and                        and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music"
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1944: in prison for robbery
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1947: turned 21 and released from prison
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signed with Chess records
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Little Richard (1932-)
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dynamic music and charismatic                        laid the foundation for rock and roll
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third-eldest of twelve
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father was a church deacon who sold bootlegged moonshine on the side and owned his own nightclub
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began singing in church at a young age
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1948: left school after his father kicked him out of the family house
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1955 was a tipping point, this crossing-over thing started to go from a once-in-awhile occurrence to a very                occurring phenomenon, which is why we can view 1955 as the beginning of Rock & Roll
1950s: Radio, Records and Disc Jockeys
1950s Crossovers and Cover Versions
First Crossovers: Fats Domino, Chuck Berry, Little Richard