|  | C O U R S E   L E C T U R E  1950s Crossovers and Cover Versions Notes taken on August 2, 2013 by Edward Tanguay | 
 
unlike Billboard, Cashbox initially combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label
 
 
international news magazine devoted to music and the music industry, and is one of the oldest trade magazines in the world
 
 
not fan magazines but to help advise people who are in the business of providing music services, e.g. a Jukebox, radio or retail business, to know which music is currently popular
 
 
middle-class white audience
 
 
rural white audience mostly in farming communities or those who were displaced into urban communities
 
 
chart numbers are a fairly course instrument to find out the popularity of a record
 
 
there is not much difference between a number 1,2,3, or 4 record
 
 
however, a number 20 record is a different kind of phenomenon than a number 1 record
 
 
help us from getting in the fan mentality
 
 
when you look at the chart data, you see that many of the records of famous singers were not that popular at all and there are many artists who have number 1 and 2 records who you have probably never heard of
 
 
mainly this means a song going from the Country & Western or Rhythm & Blues chart to the Mainstream Pop chart
 
 
e.g. same song and artist: Little Richard's Tutti Frutti plays on the Rhythm & Blues charts for awhile, then gets popular on the Mainstream Pop charts
 
 
e.g. same song, different artist: Little Richard's Tutti Fruiti plays on the Rhythm & Blues charts, then is covered by Pat Boone on the Pop Charts
 
 
the song by Pat Boone goes up on the pop charts but not the R&B charts
 
 
in the case of Tutti Frutti, both the record and the song crossed over
 
 
people were already doing many different versions of songs within each chart market
 
 
white people such as Pat Boone were remaking R&B hits and making money off of this on the pop charts played by radio stations which would not allow black musicians to play on, this was increasingly a controversial issue as by 1958, 84% of R&B hits were crossing over to the pop charts
 
 
other ways musicians were taken advantage of
 
 
many times musicians did not even own the rights to the songs they were performing, they signed that away when they recorded
 
 
"what would you rather have, I'll pay you 50 bucks for the session or I'll give you a certain percentage of the earning over time" and many of the musicians took the money since they didn't know how good their songs would do or if they would ever see that person again.
 
 
controversy: is this unfair or not?
 
 
white artists argued that these songs would not have been allowed to be played on the radio as they were because the lyrics would have been too adult-themed
 
 
one of the first rock and roll musicians
 
 
Bill Haley & His Comets
 
 
sold over 25 million records worldwide
 
 
self-admitted alcoholic, fought battle with alcohol into the 70s
 
 
"Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music"
 
 
1944: in prison for robbery
 
 
1947: turned 21 and released from prison
 
 
signed with Chess records
 
 
dynamic music and charismatic showmanship laid the foundation for rock and roll
 
 
father was a church deacon who sold bootlegged moonshine on the side and owned his own nightclub
 
 
began singing in church at a young age
 
 
1948: left school after his father kicked him out of the family house
 
 
1955 was a tipping point, this crossing-over thing started to go from a once-in-awhile occurrence to a very regular occurring phenomenon, which is why we can view 1955 as the beginning of Rock & Roll