EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
Sexing the Canvas: Art and Gender
Jeanette Hoorn, The University of Melbourne
https://www.coursera.org/learn/gender-art/
C O U R S E   L E C T U R E 
Henri Rousseau's The Sleeping Gypsy
Notes taken on March 1, 2018 by Edward Tanguay
•
The Sleeping Gypsy (1897)
•
a mysterious work
•
has similar themes with The Dream
•
a recumbent female figure occupies the focal point
•
part of an exotic landscape
•
exists in harmony with the animal world
•
the full moon rises high in the sky
•
in both paintings there is a dark-skinned musician
•
differences
•
gypsy
•
a wanderer
•
carries a staff
•
pitcher of water
•
musical instrument
•
an artist and an outsider
•
perhaps like Rousseau himself
•
was not accepted by the art world
•
except for Gaugin and Picasso
•
Rousseau described it: "A wandering Negress, a mandolin player, sleeps in deep exhaustion, her jug beside her. A lion happens to pass that way, and sniffs at her, but does not devour her. The scene takes place in a completely dry desert. The Gypsy is dressed in oriental fashion."
•
the sleeping gypsy
•
perhaps she's dreaming of the lion in the river
•
as Jean Cocteau suggested
•
deeply enigmatic, mysterious and puzzling
•
the base of the lion's main evoke the lines of the woman's hair
•
the bare foreground is mirrored by the bare background
•
the two plains divided by softly drawn mountains and a river
•
perhaps the river of Lethe
•
both the woman and the lion are separated from the mountains by the river
•
her bright robe enhances the beauty of the sea
•
relation to the senses
•
woman evokes music and pleasure
•
the full moon creates an overall sense of the romantic
•
but the romanticism is edged with strangeness
•
emphasizes the poetic quality of the work
•
the painting takes us back to a far distant imaginary time, long before the modern period
•
where human and animal lived in relative peace in the natural world and shared common spaces
•
Darwin
•
humans and animals have more in common than previously thought
•
both experience a similar range of feelings and emotions
•
structure
•
almost sculptural
•
nothing moves
•
a strange lack of motion in Rousseau's paintings
•
anticipates the surrealist's approach
•
juxtapositioning unexpected objects in unfamiliar ways to create a sense of the marvelous
•
frees up the viewer's mind
•
creates a new space of imagining new possibilities and relationships
•
the marvelous was also disorienting, gave the viewer a shock
•
André Breton (1896-1966)
•
Surrealist Manifesto
•
described Rousseau as before the time of surrealists
•
Rousseau's painting invoke a passion for otherness
•
particularly in relation to the lands and peoples of the colonial empires
•
the sleeping gypsy is an oriental picture of its own kind
•
a poetic oriental landscape
•
the gypsy is a musician
•
Rousseau played the violin
•
sublime
•
a strong sense of boundlessness in relation to the landscape
•
a sense of an endless desert
•
the beauty of a sublime landscape
•
surreal
•
gypsy lies in a deep sleep with eyes slightly open
•
robe with white frill around the collar
•
as if she is a pilgrim
•
the bareness of the landscape suggests a dreamscape, a theme of surrealist paintings
•
freedom of imagination
•
importance of desire
•
shows a woman living and traveling freely according to her own desires
•
desire is the soul motivating principle of the world
•
arouses a desire for the free life, to find oneself
•
Rousseau locates this desire in a woman, black woman, an outsider, and artist
•
the painting has a strange beauty and evokes a desire to roam free from the restrictions of contemporary urban life
•
this woman lives in all of us
•
she represents an inner, deep-seated, human longing to live a life that is true to oneself
•
the woman is painted in an extremely unusual context
•
independent
•
alone
•
traveling on her own terms
•
not sexualized at all
•
she's simply beautiful in her own right
•
a wanderer, living her own life, a strange, exotic being
•
black women were rarely represented as subjects in their own right
•
appears to live in harmony with nature
•
the lion seems careful not to disturb her
•
the painting can be seen as gendered
•
the lion male
•
the gypsy female
•
if Rousseau would have painted the gypsy as a man, it would have created a different meaning
•
the lion seems to be protecting her so that she can have the freedom not just to sleep but to dream
•
reminds us of Mary of Egypt
•
the patron saint of penitents
•
born in Egypt, lived a sexually desolate life
•
wandered the deserts
•
befriended a religious man on her journeys
•
he gave her his mantel to cover her body
•
after she died, he noticed a lion standing by her body licking her feet
•
the lion dug a deep grave and he buried her there
•
she lies on the ground as if asleep but her eyes are partly open as if in a trance
•
perhaps this is the seen of Mary's death