EDWARD'S LECTURE NOTES:
More notes at http://tanguay.info/learntracker
C O U R S E 
History of Rock, 1970-Present
John Covach, University of Rochester
https://www.coursera.org/course/historyofrock2
C O U R S E   L E C T U R E 
1980s Heavy Metal and L.A. Hair Bands
Notes taken on October 3, 2016 by Edward Tanguay
heavy metal hits the big time
bands from the first half of the 80s had decent success
Van Halen
Motorhead
but there wasn't really a move toward heavy metal yet
second half of the 80s, heavy metal becomes much more popular
two bands that started off this trend, but not particularly thought of now as heavy metal
Bon Jovi
New Jersey
Jon Bon Jovi
Ritchie Sambora
1986 Slippery When Wet
many of the features of heavy metal rock from early 80s
"You Give Love a Bad Name"
"Livin' On a Prayer"
"Wanted Dead of Alive"
created a momentum that other groups were able to emulate
Guns and Roses
Los Angeles
Axl Rose
Slash
1987 Appetite for Destruction
that was the album that tipped the balance for heavy metal
today not perceived so much as heavy metal
"Welcome to the Jungle"
"Sweet Child o' Mine"
"Paradise City"
1987 Headbangers Ball
on MTV
playing nothing but Heavy Metal
L.A. Hair Bands
bands that are glam-influenced in their use of clothing, bands that have this spandex thing going with feathered boas, leopard-skin vests, and all this kind of stuff starts to show up
and make-up, and I don't just mean make-up to accent their eyes but make-up like womens' makeup, heavy makeup
they've got teased hair, they have long hair and its flowing down and it all gets kind of teased up
a distinct look that celebrates less glamour per se as in the 1970s, but a cheap kind of glamour more associated with strip clubs and cheesy bars
that's the kind of stuff they were embracing
it's not that they didn't know how to do the more sophisticated glamour kind of thing, they were embracing this element of the low night life
this is what these bands were standing for
Mötley Crüe
a type of L.A. Hair Band
Poison
took it to an extreme
1986 Look What the Cat Dragged In
Talk Dirty to Me
a good representative of Hair Bands
a compact form
not a long, extended tune
has a virtuosic guitar solo, but not too long
sexist lyrics typify Hair Bands, sexually predatory lecherous kind of attitude, almost exaggerated in cartoonish proportions
1988 Open Up and Say...Ahh!
Every Rose Has Its Thorn
the power ballad
arose out of the 1970s from e.g. Boston's more than a feeling
every metal band has got to have the one tune, where the lead guitarist would pick up a 12-string guitar and start to play some open chords in a kind of stairway to heaven moment
and the lead singer sort of shows his sensitive side
yeah, I may pursue women and drink hard, but heck, I'm a sensitive guy, too
then they sort of do that whole sensitive guy thing for a minute
usually about two-thirds the way through the show to slow down the tempo before it picked up again for the grand finale
in spite of the fact that these heavy metal L.A. hair bands seemed to dress up like women, almost as if they were in drag, it had the effect of actually attracting more women somehow
they actually had a strong female following
in spite of the fact that that is probably not what they were intending
often when people make fun of stadium Heavy Metal from the 80s, what they are really making fun of are the Hair Bands from L.A. because they think bits of it were ridiculous
Warrant
Winger
Skid Row